Weekly News

Laser-Shooting Planes Uncover the Horror and Humanity of World War I

July 09,2018 15:14

During World War I, this stretch of pastoral landscape, which the generals (and now historians) called the Ypres Salient, was one of the most heavily trenched, mined, mortared, bombed, gassed, pillaged, burned, and bullet-riddled places along the ...


In the west of Belgium, near the French border, the A19 motorway ends in a four-lane, unfinished overpass. There’s no mountain here, no ocean, no city center. Nothing to explain why the heavy machinery stopped paving through the farms, and the traffic gets diverted to surface streets.
What stopped the Belgian government from paving over this landscape in the early 2000s was the insight that this land contained evidence that might reveal what it was like to live through one of humanity’s greatest horrors. During World War I, this stretch of pastoral landscape, which the generals (and now historians) called the Ypres Salient, was one of the most heavily trenched, mined, mortared, bombed, gassed, pillaged, burned, and bullet-riddled places along the Western Front.
For the archaeologists charged with recovering this landscape’s memories, digging into the past with a vast shovel-and-pickaxe party was out of the question. Not only is the Ypres Salient huge, its scars are so dense they practically form a contiguous strata in the soil. “And, this is an area where people live and plow,” says Birger Stichelbaut, an archaeologist at both Ghent University and the In Flanders Fields Museum. “Our goal was not to turn it into a World War I Disneyland.” They needed non-invasive ways to survey the landscape, identify important sites from the war, and plan for the best way to preserve or protect the artifacts therein.
So, like the armies of Europe a century earlier, they took to the field with the latest tech they could muster: lidar, aerial photography, and geophysical sensors. Their efforts, along with the stories and artifacts those efforts produced, are now featured in an exhibit at the In Flanders Fields Museum (through September) and an accompanying book, both titled Traces of War.
Amateurs and hobbyists had been digging up bullet casings, bones, and bunker material for decades. But the field of professional archaeology had never taken World War I seriously—it happened too recently and left a surfeit of historical evidence. That changed in the early 2000s, when the Belgian government planned to complete the long-delayed extension of the A19, connecting the city of Wieltje to a small town called Steenstraete, and then onward to the coast. However, the Belgian minister in charge of archaeological heritage recognized that meant cutting through what had once been one of the liveliest sections of the Western Front. This slice of the Ypres Salient hosted three major battles, including the one where German forces first used poison gas against the Allies.
So, the politician tasked archaeologists to scout the motorway’s planned route. What they came back with was staggering—trenches, artifacts, bodies. The government canceled the construction project and effectively declared the landscape to be a single, sprawling archaeological site. In the 2009 book Contested Objects: Material Memories of the Great War, Marc Devilde and Nicholas J. Saunders note the significance for the field:
"It is difficult to overestimate the significance of this political intervention, or its consequences for the archaeology of the war … After some 85 years of amateur ad hoc digging and land clearance—and in the space of just over 12 months—a modern scientific archaeology of the Great War had arrived in a legally constituted and academically acceptable form."
Their most valuable resources were aerial surveillance photographs taken during the war. Thousands of these images, taken by both sides, survive. By comparing them to historical documents and modern aerial photography, Stichelbaut and his colleagues could identify areas of interest—a skirmish here, a sortie there. They found miles of forgotten trench lines, identified overgrown moonscapes of bombed out craters, and discovered evidence of supply lines, training grounds, and other key logistical points of interest.
The photographs, though, couldn’t capture every moment of the churning chaos, the horrors happening between each click of the shutter. Nor could modern flyovers find even a fraction of the war’s traces. Again, this part of Belgium is rural, covered by tree canopies, crops, and wrinkled with low ridges. As luck would have it, in the early 2010s, the Belgian government ordered a new aerial bombardment of the entire country.
Except these planes weren’t dropping bombs. They were firing lasers. Called lidar—think sonar, but with lasers—each beam of light bounces off the landscape below, and some of its photons return to the aircraft. By timing how long it takes those photons to make the round trip, the sensor calculates the elevation of whatever those photons touch. Geographers knit the resulting clouds of results into a 3-D map. The one the Belgian government released—for free!—in 2013 was accurate down to 30 centimeters.
Because some of those billions of photons slip past the trees and grass, geographers can also make maps of what the landscape would look like without vegetation. Maps archaeologists can use to look for traces of war without the cost, time, or intrusiveness of exploring by foot. And here, they got results. “This data has shown us that 12 percent of the landscape in our research area still bear features of the war, especially in woodland and pasture,” says Wouter Gheyle, an archaeologist at Ghent University who specializes in lidar imagery.
This 12 percent is pristine stuff. Many of these wooded areas hadn’t been messed with since the war. In one of the more remarkable lidar finds, Gheyle identified traces of where a small group of Allied soldiers made camp for the night, including the protective sandbags around the tents, in a copse of trees some seven miles behind the front.
Lidar found traces in farmland, too. Most of the trenches that zig zagged throughout this landscape were filled in and plowed over after the war. But when the lasers bounced off grassland they saw what had been hidden for decades—squiggles of trenches, divots of bomb blasts. “Now that the generation who actually witnessed the war has passed away, our only way to get in touch with the war is through the landscape,” Stichelbaut says.
Many of those witnesses remain with the landscape. Archaeologists have found hundreds of human remains; tens of thousands are still in the soil. The archaeologists have even been able to identify some and remove their names from Ypres’ Menin Gate Memorial to the Missing.1 In 2016 they found the remains of Henry John Innes Walker, an army captain from New Zealand, whom they identified through a combination of archaeological evidence and historical record. He was killed in 1915. And while most of the dead remain anonymous, they still receive proper burials.
Stichelbaut is careful when discussing the scope of the Ypres Salient archaeological mission. “We are not interested in a single trench, rifle, or set of remains, but instead how the landscape is holding the story,” he says. The horrors of war reveal the humanity of those who participated. “This shows how life in the trenches really went, how soldiers dealt with the material culture they lived with,” says Stichelbaut. So no matter what road you take to visit, prepare to be stopped in your tracks.
More Great WIRED Stories
1Story corrected at 11:40 ET on Monday July 9 to note that names of identified soldiers are removed from the Menin Gate.

lidar,archaeology,military tech

Share this article

Related videos

War Of The Worlds 2005 The First Tripod
War Of The Worlds 2005 The First Tripod
Back to the Future Zombies! (Call of Duty WaW Zombies Custom Maps, Mods, & Funny Moments)
Back to the Future Zombies! (Call of Duty WaW Z...

DON'T MISS THIS STORIES